dance - Blogs - puredevoteeseva

Srila Prabhupada explains the rasa dance of Lord Balarama compiled by Yasoda nandana dasa

Posted by Tamohara dasa ADMIN. on April 6, 2020 at 10:15

Srila Prabhupada explains the rasa dance of Lord Balarama

compiled by Yasoda nandana dasa

Lord Balarāma became very anxious to see His father and mother, Mahārāja Nanda and Yaśodā. Therefore, He started for Vṛndāvana on a chariot with great enthusiasm. The inhabitants of Vṛndāvana had been anxious to see Kṛṣṇa and Balarāma for a very long time. When Lord Balarāma returned to Vṛndāvana, all the cowherd boys and the gopīs had grown up; but still, on His arrival, they all embraced Him, and Balarāma embraced them in reciprocation. After this He came before Mahārāja Nanda and Yaśodā and offered His respectful obeisances unto them. In response, mother Yaśodā and Nanda Mahārāja offered their blessings unto Him. They addressed Him as Jagadīśvara, or the Lord of the universe who maintains everyone. The reason for this was that both Kṛṣṇa and Balarāma maintain all living entities, and yet Nanda and Yaśodā were put into such difficulties on account of Their

32 / Description of the Rāsa Dance

Posted by Tamohara dasa ADMIN. on November 22, 2017 at 12:30

32 / Description of the Rāsa Dance

Thus hearing the Supreme Personality of Godhead, Kṛṣṇa, speaking to pacify them, the gopīs became very much pleased. And not only by hearing His words, but also by touching the hands and legs of the Supreme Personality of Godhead, they became completely relieved from the great suffering of separation. After this, the Supreme Personality of Godhead began His rāsa dance. When one dances in the midst of many girls, it is called a rāsa dance. So Kṛṣṇa began to dance among the most beautiful and fortunate girls within the three worlds. The gopīs of Vṛndāvana, who were so attracted to Him, danced with Kṛṣṇa, hand in hand.
Kṛṣṇa's rāsa dance should never be compared with any kind of material dance, such as a ball dance or a society dance. The rāsa dance is a completely spiritual performance. In order to establish this fact, Kṛṣṇa, the supreme mystic, expanded Himself in many forms and stood beside each gopī. Placing His hands on the shoulders of the gopīs

one can rise to the stage of the transcendental arts of music and dance displayed by the Lord

Posted by Tamohara dasa ADMIN. on November 2, 2017 at 13:30

David Sherk Gadai Dasa; Purport: Also by His Divine Grace

In pursuance of the specific utterance vedhase, or “the compiler of the system of transcendental knowledge,” Śrīla Śrīdhara Svāmī has commented that the respectful obeisances are offered to Śrīla Vyāsadeva, who is the incarnation of Vāsudeva. Śrīla Jīva Gosvāmī has agreed to this, but Śrīla Viśvanātha Cakravartī Ṭhākura has made a further advance, namely that the nectar from the mouth of Lord Kṛṣṇa is transferred to His different consorts, and thus they learn the finer arts of music, dance, dressing, decorations and all such things which are relished by the Lord. Such music, dance and decorations enjoyed by the Lord are certainly not anything mundane, because the Lord is addressed in the very beginning as para, or transcendental.

This transcendental knowledge is unknown to the forgotten conditioned souls. Śrīla Vyāsadeva, who is the incarnation of the Lord, thus compiled the Vedic literatures to revive the lost memory of the

dance (3)

Srila Prabhupada explains the rasa dance of Lord Balarama compiled by Yasoda nandana dasa

32 / Description of the Rāsa Dance

one can rise to the stage of the transcendental arts of music and dance displayed by the Lord

Note: this page contains paid content.